I read this one entirely because of the title. I didn’t even know what it was about. It’s about time travel to Mesopotamia. It’s a fun, short read. Much of the conflict in the story revolves around generational misunderstanding. Sometimes, you just love horses, you know?
Monthly Archives: April 2018
“Too true, too true,”
she whispers in her cold way,
her boiling old way, her true-blue and sold way.
And I, I am like a quivering daisy chain,
full of green and yellow anticipation.
I strew, or no, link my self’s mind together;
Dixie Blues are clinking on an old player piano.
Seeing her slow eyes again, I rinse myself with spices—
for the blood-boil—
and put this old scrumptious dalliance on the slow burner,
thick potatoes and carrots swirling in the brew.
“But this between us will lead us only to more
and deeper dripping poison and despair.”
“Too true, too true,” she whispers.
I hold up my arms
and let myself be tied with snakes to the bedpost,
paid penance to the old gods.
As she holds the cup to keep and catch the poison from my head,
all that remains is my trickster’s voice,
“I would like you to listen:
“I would like you to hear,
“to understand these cold words of mine
“that will glitter and sparkle off the end of my tongue
“when my foes unchain the children of my soul:
“the wolf, the dragon, the hungry maid.
“But they haven’t yet—have patience!
“I keep waiting and sighing and spying and clicking and spinning and wilting and weeping:
“now there is nothing but my silence,
“my wicked silence that hurts you so…”
Too true, too true and her eyes are leaking tears,
but I feel pity only for myself.
“Wicked? No not wicked, that goes too far, too
“too far. Far beyond the reasonable, far beyond intuition and of grief.
“Far beyond the boiling hams and bouncing tree fairies.”
I wonder if I actually said that, for she hums in a pleasing way,
and places her tight lips upon my face. “Too true,
“Replace wicked with frightened and old. Or tricky:
“that’s the silence you have.
“I have. Me. A frightened old silence.
“A tricky frightened silence.
“It’s time you listened and heard my silence truly.
“Truly, for what it is.”
She seems to be hearing me,
her tongue is dripping slow circles along my chest.
I can feel her cold fingers drag shivers down my side.
She stops. Looks long into my eyes:
“Too true, too true,”
and cuts my tongue between her teeth.
“Ahh. You’ve lived too long in a short space,
“I think your ends want to outgrow the short space of time,
“but they shrivel instead. It’s time you…
“it’s really time you…
“it’s got to be time you…
“thought it’s not too late you…
“Ahhh… it’s past time you danced your new self back into being
“so that those dear ones, those frizzled and delightful
“loves may hold you close once more
“spiral you around with glee, laughing in the sun.”
“Too true, too true.”
I feel this bodybody thrumming from head to foot
as her breath rushes slowly in my ear
and she finds the all-center of my desire.
Sharp pain lances through my wrist,
up my thin and withered arm
unto the throbbing hollow in my chest.
“You gaze too long into this tiring, soul-gutting
“mind-splintering gulf. Please.
“No. Please. Wait.”
This is too… I can’t… I didn’t think…
I am gone.
She is gone.
Acid splashes on my face.
The snakes wrap tighter about my throbbing arms.
This poem was explicitly about Loki originally, who didn’t end up well in the old Norse mythology. Here’s a picture of the scene. Also, I guess, I was working through some thoughts and feelings about a bad, sudden but also lingering break-up. I think I was a little harsh. 🙂 But hey, I’m gonna plead youth here. I was gonna write some more about this weird impulse of pastMe to map personal breakdowns onto mythic stuff, but I think I’ll just leave it at that.
For all time,
as the cockatoos and walruses did wage eternal war each upon the other:
that bastard Ragnorak of pets and zoo animals,
my sleepmind vapored and rose above to gaze sadly down
(and yet happily)
upon my still and benodded bodybody:
the grim toes, those crooked lips, that hairy belly.
There was a screeching and a’gnawing upon the door,
and I watched my bodyself rise to open, sighing “no”:
hungry silence and salivated words upon my doorstep
toothy words at my door
oh, and darkness too:
dark which enveloped my head in a thousand blazing caricatures of itself.
“Why is this here?” I cried.
The quiet stretched on and on and always,
as I watched my small and fragile formbody standing at the edge,
sitting coldly down, gnawing carefully—oh, so carefully!—
chewing on my bodyhand’s empty ringfingerbone:
looking down, I felt the dim pull of pain:
a quick rushing, and I sat once more between my ears.
Yet, I did not waken:
I sat clutching soiled words and empty fingers
and toothy lightning bolts were hurled ‘cross the sky:
those eyes within my head were stunned,
broken with their thick lashing.
for there was no one there,
I scratched my ears
I’m noticing that certain things keep coming up again and again. OK, yes, I’m sort of self-conscious about my toes, which are kind of crooked, and I usually don’t wear sandals for that reason. Also, I was having some pretty weird dreams in my early 20s. I was also really interested in how daily life could be mapped onto mythical or mythological things. I read a couple books on Norse mythology at one point, which might have been an influence here.
A cockatoo lived in our house for a while when I was a kid. One time it bit my ear so hard that it bled. It also pooped on my head more than once. So, I think I’m gonna have to come down on the walruses side in this one.
Tortoise shells were raining from my forehead today.
I almost caught it: nose bleeding, head thrumming.
The bedclothes were all twisted up
my toes’ thick nails were pounding beneath the skin;
there was a mess of daisies and lilies and snapdragons.
“What?” I said to you. “What!”
but there was no reply:
Rising, deciding to dance:
placing those pink buffalo slippers upon my dainty feet.
It was there you made your mistake:
underestimating my resolve.
“This ring: take-it, take-it.
“I beg you: take it
“for I wish to blow away in the wind.
“My black umbrella catches
“and I float away from you forever
“among lands of spice and dreams-made-reel.”
I have a memory–I no longer know is true–of waking up from a dream with a nosebleed and writing down something on a piece of paper that later became this poem. I think it was a pretty strange dream.
The original is long gone. I revised these poems so many times. I used to carry around this 3.5″ floppy disk with my writing on it. I’d load it up and tinker away at them, over and over and over again. It became a kind of comforting ritual, I suppose.
For me, the ending of this poem conjures up the movie Mary Poppins. The “dreams-made-reel”, I know, made it through every revision.
Perhaps the “you” in this poem was whoever sent me the dream and the nosebleed. These days, I have real people to greet me in the morning. Much improved.
the winter is glooming now
dripwater is sliding down the windowpanes
the frost on my mind is hoared with weather,
slicing clocks and stale breakfasts,
muddied plans and senseless perseverance
there was a time
when the rain would have driven me mad
pounding, pounding as it does, on the eaves
[like the old story by the old dead man where it rains and rains and rains
[and no one ever gets to see the sun
[and the rain always dripping, sliding slipping into face
[between eyebrows, down ears, past neck
[and trickling into partially opened mouth]
but not now: I’ve girded myself about with walls,
bitter fortifications and disembodied trenches.
it is raining
and when I open my eyes, in the dark,
to the sound of music or clamorings or rustlings in the night
I often think I am still asleep
that my nightbrain is conjuring dream-murmurs to strangle me
but then I feel the burning still in my eyes
and I know that I have never been asleep:
still waiting to ride that wyrdness into dream.
the darkness raining
a nightmare haunted my chair demurely
weeping softly in the night
and I was swarmed by a thousand
thousand hungry toothsome ducks, all wanting my bread
though I had none…
I’ve been looking over some old writing. Where else to put it, except this old weblog? In my early 20s, I wrote a series of poems called Memories. Simply, they were moments in time that stood out as almost mythical to me, so I scribbled down some poems–I probably have the notebooks and scraps of paper still packed away somewhere–and compiled them all together. It was the most serious, personal writing project I’d done up to that point. I even printed and bound about five copies of them. I gave them away as Christmas presents one year, when I was super broke. They may be floating around somewhere, still.
Older me looking back wants to rewrite these poems and “fix” them, but I’m gonna show some compassion to younger me, here, and leave them as is. Younger me did the best he could at the time and who am I to begrudge him his passion and emotional meanderings.
I do still quite like “slicing clocks and stale breakfasts”.
I read some poetry. It was pretty swell. The poetry was pretty well received too. The sun came out. It rained. I read some books. Walked to and fro. Chatted about rocks and Roald Dahl and any old thing.
Really gets at the heart of why Americans are so bad at foreign affairs. You could swap out the American, Pyle, for any number of well-meaning idiots stomping around the globe these days. The protagonist’s voice is so seductive in its jaded, cynical wit–papering over the gaping, roaring hole of want and need and jealousy.
Shade, the Changing Girl: Little Runaway Cecil Castellucci: Unendingly surreal. It’s no Casanova (Matt Fraction), but there’s some nice visual and narrative experimentation going on here.
Batman: I Am Suicide by Tom King: Someone wanted a Batman/Suicide Squad mashup. Bane makes a pretty good villain for this. Also, the Psycho Pirate is always a fun/weird edition. I found the art somewhat confusing, visually. Maybe it’s just me.
A surreal, deeply strange story. I wasn’t so sure about how I felt about it at first, but was fully onboard with it by the midway point or so.
The art feels like a picture book, but the story is very much not for kids. Much of it feels like very pointed commentary about the state of things, particularly the compulsive need to check in on the news (guilty!).
It’s a beautiful book. I expect you’ll get something out of it.
Book #15 of the Vlad Taltos series. I guess I like them, because I’ve read all of them so far. Each book in the series is an experiment in plot structure or thematic organization. This one’s plot is fairly straightforward, except the plot is about the exploration of a weird castle, mixed up in time and space.
I liked it. Vlad, the narrator, has a pretty delightfully dry sense of humor.
The series is written in such a way that you could start with almost any of them and be ok with understanding what’s happening.