The Mountain of Butter

(Or was it margarine?)

In the Andes, or perhaps the Himalayas, a mountain of butter rose up overnight. Some took it as evidence of divinity, others a thing of pure randomness. “But why butter?” they wondered, though not in English.

There were those who resolved to climb it, first thing, booking flights to converge from all over the planet. The locals weren’t so keen, worrying at what might happen were the butter mountain to start to melt. It was cold on top, sure enough, but the bottom… Well, that would surely melt when it got warm enough.

Others, with an eye for a quick buck, herded scores of pack animals up the narrow mountain passes, and loaded them up with large bricks cut from the butter mountain. A quick test and everyone who tasted knew. If it hadn’t come from heaven, it surely tasted like it did.

Within a fortnight, Reynaldo Glassioux, Hampton Stephens-Stevens, and Chuck Bix had summited. They slid down the last 60 feet to no ill effect. Almost overnight, the butter mountain became a massive tourist sensation.

At least, that is, until the mountain of chocolate appeared.

Marie Curie’s Glowing Green Eyes

(Or were they yellow?)

Marie Curie swore she could see in the dark, but really it was others who could see her. Who could miss those luminescent green eyes in the dark? At least her hair wasn’t glowing, am I right?

Anyway, all the French connoisseurs at the cafe sipping their espressos flinched when her unblinking eyes turned toward them. “Please blink, when will she blink, good god, why won’t she blink!” they all thought, every one of them, in a startling synchronicity of thought. Only the street sweeper pushing his long-handled broom across the cobblestones thought nothing, only shrugged, pulled the brim of his hat down, and got back to thinking, got back to sweeping, perhaps about chrysanthemums, but more likely about the sausage he was going to eat for lunch that day.

Marie Curie stared at the espresso machine and, if one didn’t know better, one would think that was the cause for all that steaming milk. Fortunately, these worldly Parisians had been around a cafe or two. No need to burn some witches here, thank goodness. Still, those glowing green eyes…

“Goddamn, I’m so hungry!” Marie Curie cried, and several Parisians brought her their croissants or whatever. She ate them all. She sipped her coffee and sighed.

She breathed in deeply the coffee steam and slowly, oh so slowly, closed her uncanny eyes.

The rest of the cafe sighed in relief.

Except for Jean-Pierre, that scoundrel!

August Strindberg Blew in on a Rake

(Or did he?)

August Strindberg blew in on a rake. He was short and stout, sour, and out of breath. Or maybe he was tall and thin. His hair was a mess, but everyone got the sense that it was always kind of like that, rake or no. He was rocking the mustache and soul patch look that was so so popular for a while there. It goes a bit better with a three-piece suit, than a ripped up tee shirt. Just saying.

Anyhow, where did he blow in from and why was he there? everyone wondered. Good questions, both. Regardless of where he came from or what he’d been doing before, he looked vexed, cranky even. He blew in from Sweden, of course, and he was there to bend time and space to his will by occluding and warping the very stuff of space and time through the weaving of supernatural forces to his will. Yes, everyone whispered, magic! Yes, our August, our dear August Strindberg, was down from his own personal Inferno to cast about for such raw supernatural power that all the world would tremble and quake. Or maybe he was just looking for a cup of milk for his biscuit recipe. You never can tell with August Strindberg.

That was the trouble with August Strindberg, everyone thought, he was always rushing to and fro on his rake, stirring up trouble, and writing his damned plays. So actually, yes, it was just a cup of milk he was after. Everyone sort of giggled at how silly they’d been, but then August Strindberg, it was so hard to tell with him, you know?

Everyone went back to their knitting, crocheting, dynamiting, or whatever it was they’d been doing before he swept in on his rake. Really, everyone was just as happy to forget that August Strindberg had ever been there.

The Moon’s Long Long Legs

(But are there shoes?)

The moon pirouetted on its long long legs. No one saw, of course. They were two busy looking elsewhere. The moon stood on its head and danced round and round about.

Alister Frungible McGillicuddy forgot to look at his phone for just a sec, felt his eyes accidentally drift moonward. We all make mistakes you know? His socks bounced off his feet. A bit later, he realized his mistake, and returned his focus back to reality. “Forks!” he sighed, glaring into his idea pipe.

Sintheria Troilus Verity laughed at a pretty picture and tripped on a slowly, oh so slowly, upflung tree root. Man, this gag had been in the works for years! The oak chortled slowly over the next three weeks, so she never heard it. Lying on her back, gazing up through the branches, she watched the moon do an electric slide. She closed her eyes and fell asleep. When she awoke, the sun shone bright through her dewy eyelashes.

The moon sighed, put on its nightcap, and sank deeply into bed, its feet sticking out the end. It dreamed of brachiosaurs and ankylosaurs, flittering and glittering with moon dust as they leaped high and slowly through the air. A giant robot mouse took a large bite out of the moon. The moon dashed loose and unmoored through the vasty reaches of the galaxy. The earth looked on, shedding a single brilliant tear. The moon smiled in its sleep.

Ballet shoes rotated slowly in space.

Tesla Plants Geraniums

(Or was it chrysanthemums?)

Nikola Tesla wearied of AC and death rays, and decided to plant some orchids. However, they all died. Death rays do not make for very good heat lamps, it would seem. Nikola Tesla had caught the bug, though, and continued on, planting marigolds, tulips, and daffadownlillies.

All the other inventors laughed through their noses as they divebombed the novice gardener in their flying velocipedes. Nikola Tesla, in his three-piece suit, gone a bit rummy at the knees, and boater hat, ignored all their jeers and mockery. Or tried to. It’s tough being an eccentric former inventor, apparently. In spite of his best effort, a single tear rolled down his cheek to disappear into his voluminous mustache.

“I’ll show them,” Nikola Tesla said, clenching his fists inside his slightly too large gardening gloves.

Six months later, all the other inventors were buying their flowers from Tesla’s flower shop, Nik’s Flower Shop. It was Mother’s Day and all the inventors had forgotten, until the last minute!

Nikola Tesla laughed and laughed until he heard that Thomas Alva Edison was opening up a flower shop on the other side of town, that scoundrel!

Nikola Tesla and his shop vanished in a flash of voltage.

An Elephant and Dostoyevsky

(Or is it Doestoyevskii?)

One day Dostoyevsky/ii was lunching at a roadside diner when an elephant came down and squashed the booth opposite him.

“Eurgh! Ёшкин-кот!” and that was the last Russian Dostoyevsky spoke, preferring, since his name was spelled in Latin in this instance, as opposed to Cyrillic letters, to speak in English.

The elephant gazed mournfully at him and stole one of his latkes. Dostoyevsky coughed into his neckerchief.

The elephant stared at Dostoyevsky. Dostoyevsky stared long longing long lastingly into the elephant’s large, limpid, dusky, numinous eyes. Chekhov whistled by on a ten speed. Dostoyevsky lost the staring contest.

Dostoyevsky spoke long into the night, spoke hard, and sharp, and angled, the words coming haltingly in English, a language he’d never had use for before. He spoke of trains, and crime, of costumes, and travels abroad. The elephant listened.

Dostoyevsky wiped his sodden brow. Dostoyevsky drank his eighth cup of coffee. The elephant watched, and snatched his hat.

Dostoyevsky spoke of failing, of sinners and saints, of all the harm that comes from wanting. Dostoyevsky nattered on about so many things: tea cups, holes in soles of shoes, drinking too much, the lightness of despair, and the heaviness of joy. The elephant watched and listened.

Dostoyevsky came so close to weeping, but didn’t, as he declaimed on the beauty of the wickedness (or maybe the wickedness of the beauty) of Job, the potsherds, the calamities, the devil going to and fro, and god in his infinite whirlwind. And also that leviathan that roams inside the sea. The elephant listened, and also watched.

Dostoyevsky banged his fist on the table. Dostoyevsky banged his head on the table. Tea cups and saucers rattled all over the place. A tin clock fell off the wall behind him. The long-suffering waitress quietly asked him if he could please be a little quieter? Dostoyevsky, in his frenzy, did not understand her. Also, she was speaking English.

Dostoyevsky’s mustache quivered as he spoke of hornets, mayflies, cockroaches, those little roly-poly bugs everyone has a different name for, and all of the other tiny things that annoyed him. The elephant only watched, oh, and listened.

Finally, at the end, Dostoyevsky rolled under his table and snored.

The elephant watched and listened and never forgot.

On Getting Stuck

the mind’s a great one for getting stuck
Stuck in place or stuck going round and round and round about the same point
Said point being a collapsed memory, an errant feeling, a bit of mustard, a sudden lurch
Is it spiraling? Or more like orbiting?
That is to say, is there orbital decay? Or do we need some strong boost to get us out of there?

What a shame it is, one thinks (one being me)
that in all the boundless gulf of brain, the scattering aeons of scintillating thought
we get stuck on such hidebound traumas, such uninvited guests that come to stick
By guests, I mean those thoughts that arrive with much clarion call and explosive force
So much calling out to us, I mean
Who can turn away from wrecks, train or otherwise?

Given some small number of lines, our minds sketch out a face
Faces in trees, hubcaps, cloudscapes, the moonface
there are no faces there
our eyes see no faces there
Only our brain, our pattern-seeking cognition looks to paint faces over every seeming thing
Stay with me, because:

If that’s what happens with simple lines, how then to decipher the patterns dredged up through all the lines of our lives
That is, what is this pattern that we’re finding?
What wrong seemings do we find lurking in small gestures, broken words, a snooze at lunchtime?
Do we find conspiracies on street corners or gods hiding in the springtime?
Are there fairies in the cloverpatch or demons lying in wait, under the rug?

How many ways there are to get stuck, fixating around some central glaring light
Moths, sweater-eating or otherwise, plummet into flame
Do they have some inkling of their fate?
Or are we the only ones who see some glimmer of our doom?

On Returns

it’s easy being alone,
but there’s nothing so sweet as a fierce hug upon returning
i mean, old shoes have nothing on that
listen to that exuberance, store it deep, and remember

so much time is spent shuttling around these spacesuits
I mean, our bodies
and the Here just gets all entangled with the Now
(except inside our brains, wherein Here gets all warped up in +Now and -Now, and Now gets warped by +-xyzHere)

all those seconds keep tocking by, breaths in and out, that thump-stutter-thump
it all feels like so much, and then so little, and then so little
water rushing, then getting dammed up by some debris, flotsam, or whatever

On Memory (#73)

What’s remembered?
Our self is a thin, rickety ladder, not even put together right
a threadbare illusion of consistency, a cheap magician’s trick
while the mind goes gyring in strange loops

don’t rattle the table, or the whole damn house of cards comes down
I’m thinking
Is this why we crave such comfortable consistency from those around?
why sudden lurches in behavior (not us) trouble so, exposing the sky wires, and false bottoms?

what’s remembered is so small a fraction of what was, and everyone of us remembers a different bit
hey, a storyboard would be nice for recounting a life
Even that’s too much to ask
it’s really more like some terrible handwriting scrawled on a series of dirty cocktail napkins
is that an A or a Q?

be kind to that poor magician, sweating bullets up on stage, as his trousers fall down, and all the rabbits go a’runnin’
turning only to find an empty room

On Loneliness and Bars

the loud and lonely are the worst, raving at the world from their spot of isolation in plain sight
(oh, not the worst, only the worst, because they loudly force the issue to the forefront)
“Lightman! a spot on this poor blighter before the cane comes crawling”

the quiet lonely at least have their dignity of silence, at least, at least
when all the murmurings in the world lead to the same dull thud, oh yes
it’s no wonder some seek solace in the sole soothings of some soi-disant demiurge:
you’re not alone, some omnipotent being wishes you well! and waits with bated breath upon your sweet susurrations

as for me, I’d rather much maunder through my old hallways of thought, bewaring bugaboos, of course
still sometimes those crawling creepers keep coming round, not enough bug spray here, apparently
outside, it’s nothing but exits from my center stage, says everyone

and everyone rolls on down the road, singing sweetly softly
to me…?